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Isothermal News |
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Sessions announced for 5th
Annual Isothermal Writers’ Workshop SPINDALE (March 13, 2008) - Some of the region’s top authors and poets will share techniques and tips on becoming a better writer this spring. The 5th Annual Isothermal Writers’ Workshop is set for Saturday, April 5, from 9:30 a.m. to 4 p.m. at Isothermal Community College. This year’s event will feature Joseph Bathanti, Vicki Lane, Ashley Warlick and Cathy Smith Bowers, organizers said. The registration fee of $20 includes coffee, breakfast pastries and lunch. Space is limited, so act quickly. Pre-registration is required. Dr. Kathy Ackerman and Tom Tucker, Isothermal’s writers-in-residence, are coordinating the event, which is open to writers of all experience levels. “We’ve invited some exceptional talents in a wide range of genres this year,” said Tucker. “We are excited by the prospect of our participants having the chance to learn from these writers in this series of fun, hands-on sessions.” Tucker, an instructor at Isothermal, is the author of Bolt of Fate: Benjamin Franklin and His Fabulous Kite. He wrote Brainstorm!: The Stories of Twenty American Kid Inventors, which has remained in print constantly since 1995. He has also written several other invention histories, including two commissioned by NASA. He reviews books in the Charlotte Observer. Ackerman, Isothermal’s dean of Arts and Sciences, is the author of The Heart of Revolution: The Life and Novels of Olive Dargan. She has also written three poetry chapbooks, Knock Wood, Crossbones and Princess Lace and The Time It Takes. Her poetry has also appeared in several literary journals. An agenda, brochure and registration form are available online at http://www.isothermal.edu/2008wwflyer.pdf. For more information, contact Ackerman at 828-286-3636, ext. 306, or Tucker at ext. 360. This year’s presenters and their workshops include: Joseph Bathanti
Bathanti’s workshop is called “Reimagining the Real: What Really Happened.” Geared for fiction writers and creative nonfiction writers as well (and certainly germane to poets also), this session will discuss strategies of uncovering and discovering the elusive ephemeral abstract known as truth. We’ll attempt to explore honestly the way we see things outside ourselves in relationship to ourselves and our writing. Even as writers acknowledge within their work the sources of its occasion, the work itself is being transformed through imagination and becomes frequently something outside the experience - more importantly termed, in this context, the memory - that prompted it. This session will examine problems (call them questions, variables, aspects, etc.) of writing autobiographically and how to walk the tightrope between what is real to the writing (the organism it becomes upon completion) and that which is real to the occasion (and/or memory) that spawned it.
Vicki Lane is the author of the Elizabeth Goodweather Appalachian Mysteries from Bantam Dell - Signs in the Blood (2005), Art’s Blood (2006), Old Wounds (2007), and In a Dark Season (coming May 20). Lane moved with her family to their mountain farm in 1975 and thirty-odd years of hearing the stories and learning the ways of her adopted county have provided a wealth of fascinating material to explore. Publishers Weekly wrote of her work: “The dialogue sparkles with authenticity, and Lane generates suspense without sacrificing the charm and mystique of her mountain community.” She is at work on a standalone, The Day of Small Things, to be published in 2009. Lane will discuss “Building Blocks of Fiction.” You may have a great idea for a story but unless you can bring it to life with believable people acting in, not against, a distinctive setting, it’s hard to engage the reader. Vicki will share strategies for making your characters and settings real and compelling. Then, in this incredibly ambitious and fast-moving workshop, you’ll be guided in creating your own realistic setting and three-dimensional characters. The next step will be writing a brief scene - putting your characters into your setting, to influence and be influenced by it. Finally, we’ll hear some of the scenes read aloud. This is a great way to get the creative juices flowing! Ashley Warlick
Warlick’s session will focus on “Fiction from Fact, Black and White.” There’s a wonderful lie about (and sometimes perpetrated by) writers, that they must live dangerously in order to write about danger; that all good writing comes from experience. In fact, good writing comes from the ability to recognize experience when you see it, and the confidence to apply your imagination to what you find. In this workshop, we will examine the fictional promise of found stories, public artifacts, and other slivers of the everyday, and develop daily strategies for seeing real life through the lens of craft. Bring an interesting article from your local newspaper, paper and pen. Cathy Smith Bowers
“The Physiology of Sound” is the topic of Smith Bowers’ workshop. It is not news that the sounds of words - vowels, consonants, stresses, etc. - have an emotional effect on speaker and listener alike. But people are often surprised to learn that the sounds of words can also have a physical effect on the body. In this seminar we will take a writerly look at the physiology of sound so that we might begin to make more rational decisions in the diction and syntax of our own poems and prose. Directions to campus are available at:
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Mike Gavin |
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